THE WILD HEART OF THAILAND
Paul Thompson
Conservation photographer Paul Thompson has spent fifteen years setting up remote camera traps to capture the beauty and the biodiversity found deep within Thailand’s tropical forests, turning traditional camera trapping used by conservationists into a fine art. The result is a captivating collection of images providing unrivalled insight into the individual lives of species, and into the wild heart of Thailand.
After photographer Paul Thompson saw a tiger in the wild in Thailand’s Dong Phayayen-Khao Yai forest complex - an event not experienced by some who have spent decades studying the animals - he set out to photograph one of the country’s elusive big cats. Using self-constructed DSLR camera traps that are left in the forests for months on end, he has devoted huge amounts of planning and effort to obtain this remarkable collection of images, showcasing the beauty of Thailand’s threatened and endangered species. His photographs have been used by the government of Thailand and conservation organisations to highlight the plight of the country’s biodiversity in the face of development projects, poaching and habitat loss that threatens wildlife across the region. (Banner image: Paul’s capture of a black leopard coming over the prow of a hill in Thailand’s Kaeng Krachan National Park.)
“…savage monsoon rains that flood and destroy the cameras; constant equipment failures in the severe jungle conditions; monkeys that swing on the flash cables…”
Read our Q&A with Paul Thompson, where he describes the process involved in achieving his photographs of endangered species and enigmatic wildlife in Thailand’s remote forests.
“The photographic process starts with studying google earth, area maps, and seeking anecdotal information in order to find valleys and tracks that offer the promise of fauna, either resident or transitory…larger traps are self constructed. It’s a design that took a few years to evolve as it kept having to be adjusted to overcome problems we witnessed when deploying the cameras in the field for extended periods of two to three months a time.”
Read more about Paul Thompson’s wildlife photography process in his Q&A.
In 2019, Indochinese leopards were elevated to ‘Critically Endangered’ status on the IUCN’s (International Union for the Conservation of Nature) Red List of Threatened Species. In Thailand they are resident in less than 5% of the country but protection is probably the best of those countries in which the Indochinese leopard still survives. With a decreasing worldwide population and an estimate of less than 750 individuals of the Indochinese subspecies, it’s imperative that those wild areas which still support their populations are protected and clear of encroachment and hunting pressures.
“When I am in a pristine section of tropical forest, where man has so far failed to influence the habitat and the perfection of a functioning bio-diverse forest, I get a feeling. It’s an almost spiritual feeling, one that it inspires awe in me. It is my realisation that this is what mother earth intended, what the whole of Southeastern Asia would be like if we as a species did not exist. Everything in harmony, life abundant, every organism playing a role both in life and death.” -
Paul Thompson
“The trials are many and the tribulations few, but when it all comes together it is an amazing feeling - an accomplishment against incredible odds. The reality is that you need to survive the trials to feel the eventual tribulation.”
Cloaked in a sea of mist: A spectacular clouded leopard in Thailand’s rainy season clouded forests; the length of the leopard’s tail becomes apparent in this capture.
“It was on one of my forest macro trips in the Dong Phayayen–Khao Yai Forest Complex that I had the incredible experience of seeing a wild tiger. From that day on the seed was set and my mind was stuck on the question - how could I photograph a wild tiger in Thailand? There was only one realistic answer, a camera trap.”
The Indochinese tiger (Panthera tigris corbetti) is nigh on impossible to see in the wild in the forests of Southeast Asia, which is why Paul set out to use his remote camera traps to try to capture glimpses of them. Providing evidence of the tiger still existing in some forests has been vital for conservation organisations to secure funding in order to try and conserve them. Capturing three tigers in one frame - a mother and two cubs (seen below)- on this occasion provided conservationists with important evidence of breeding in this protected area.
Tropical heat. Thundering rains. Herds of elephants. The process of gathering these images of Thailand’s wildlife is one of endurance. Paul’s cameras are left to fend for themselves in the forests for weeks and sometimes months on end, where they are vulnerable to a multitude of external influences that can result in mechanical failure. It’s a gamble with weather, fauna and fate until weeks later when the results - good or bad - are uncovered upon recovering the cameras from their locations.
“If my camera-traps could speak they would tell you about: ants finding the dryness of the camera and strobe enclosures the perfect place to build their nests; the bears that pry open the cameras to feed on the ants; the poachers that steal the cameras to keep their identities secret; the poachers who built a fire under the camera as they could not get it off the tree; the male elephants who are hell bent on destroying the cameras; the elephant herds of female and young who are intrigued by the cameras and play with them; the mustelids who eat the sensor covers; the wasp nests; the savage monsoon rains that flood and destroy the cameras; constant equipment failures in the severe jungle conditions; monkeys that swing on the flash cables; pigs that use the cameras as scratching posts; battery failures; the weird fungus growths in the equipment; light leaks; falling trees; to name just a few.”
What inspires you to continue your work in photography?
”On a purely internal level its the enjoyment I get from being in nature. It does not matter if it’s deep within a virgin forest trying to photograph a rarely seen mammal or sat by a reed bed next to an industrial estate in outer Bangkok trying to photograph a common bird. I just feel better when surrounded by nature. The Japanese have a well known phrase for it, shinrin-yoku, which describes simply being in nature, connecting with it through our sense of sight, hearing, taste, smell and touch.”
< Below, a 200 kilogram wild tiger moves through the darkness past one of Paul’s cameras >
“When I show a picture of a cryptic species to a Thai person and they reply “Do we really still have those in Thailand?” …Those moments inspire me because it’s another minor victory in the battle to make bio-diversity awareness more prominent in the public’s mind and therefore, hopefully, aid conservation in some small way.”